Khan’s The Fair and Warlike Form//Return To Dust doesn’t just sound big and imposing, it looks and feels like an artifact pulled from some parallel ritual culture. The album’s stark, enigmatic artwork sets the tone before a note is even played, hinting at both austerity and hallucination

There’s a certain kind of beauty that only reveals itself when everything around it is falling apart, and Laursetine, from So Hideous, thrives within that chaos. This is not an album for casual listening, it’s a descent into a meticulously arranged storm. Every track bleeds cinematic grandeur, yet the emotional core is raw enough to leave you scraped and exposed.

Turn Loose the Swans remains a dark, gothic triumph and a work of beauty that refuses to fade. Cold, romantic, and utterly captivating,

Serenades proved that heaviness could coexist with vulnerability, and that sorrow could be sculpted into something uniquely comforting. Thirty-two years later, the album remains a testament to the enduring power of melody in extreme music